Ruth was drawn to the Australian Writers’ Centre’s Writing Picture Books course because it was short and punchy, and she finished feeling like she knew exactly what publishers were looking for. After working on a few manuscripts, Ruth signed with Five Mile to publish her first picture book, The Dinosaur Did It, and is also contracted to write another one.
Kerryn Mayne was on maternity leave from her job on the police force when she returned to her high school love of writing. She soon realised that her professional experiences of crime and policing could be useful when penning her own stories, so she fired up her computer and got down to work. With an outline for a new book idea, Kerryn enrolled in Creative Writing Stage 1 online at the Australian Writers’ Centre, so she could learn about the writing process and connect with other aspiring writers.
Amy Tan had always been interested in creative writing and, although she works as a copywriter, she wasn’t confident in her fiction skills. So she turned to an Australian Writers’ Centre course. One of the exercises that she worked on during that course eventually evolved into part of her debut novel, Katie Goes to KL. This has now been published in Australia and Singapore by Penguin under her pen name Su-May Tan.
“I knew I needed to improve my writing skills, so I decided to bite the bullet and register for the Writing Picture Books course. I completed the modules and assignments in pockets of free time around my kids and job, and it sparked the desire to dive even deeper into the kid lit world. The more I learnt, the more I realised how little I knew!” Rebecca told us.
“I rolled up my sleeves, signed up for as many courses as I could with AWC and just went from there,” Emma told us.
After fine-tuning her skills, Emma perfected her manuscript and her pitch, and received offers from five literary agents before signing with Laurie Robertson at Peters Fraser Dunlop.
When Judy Wollin heard young family members say they didn’t like reading, she decided to write something they would love! As an education professional, she knew that she could benefit from learning the practicalities of how to write a novel, and so she turned to the Australian Writers’ Centre.
The Australian Writers’ Centre’s Romance Writing course came at just the right time for school teacher Emma Pignatiello. She had written three YA manuscripts and was working on a crime novel, but she realised that what she really loved was romance.
Samantha Valentine has two degrees in English, but when she decided to try out fiction, she knew she had to work on her creative writing skills. She was drawn to Creative Writing Stage 1 at the Australian Writers’ Centre because she could fit it in around her busy life and the assignments were short and not too onerous.
Dinuka McKenzie was a busy working mum when she decided to start writing as a creative outlet. The more she wrote, the more she loved it, so she decided to complete a few courses at the Australian Writers’ Centre to hone her craft. After finishing her first crime manuscript, she entered it in the Banjo Prize for unpublished fiction – and then came the extraordinary news that she had won!
Liz Foster always imagined being a published author one day. She says: “Imagine being the key word there.” But it was while doing courses through the Australian Writers’ Centre that she learned the difference between writing well and writing well for an audience. “I literally would be nowhere without AWC’s
She found inspiration from Reinvent Yourself, motivation from Creative Writing 30-day Bootcamp, and technical tools from Fiction Essentials: Structure. And now she is a novelist with the publication of her debut novel Crossing the Bridge, out now with Harlequin Escape Publishing.
Mitch Jennings had always harboured ambitions to write a novel, but he says that working fulltime as a journalist meant that writing at home after work wasn’t very appealing because he had already been writing all day. He knew that he needed structure and accountability, so he enrolled in Novel Writing Essentials at the Australian Writers’ Centre.
Vikki Conley dreamed of writing for children and, over the years, that little voice telling her to write books got louder until she simply couldn’t ignore it. She threw in her marketing job, enrolled in an Australian Writers’ Centre course and started writing. Within two years, she has already established herself as a prolific author, with the publication of seven picture books and contracts with four publishers. Her most recent book is the CBCA shortlisted Amira’s Suitcase, while Milly and the Mulberry Tree and Where the Lyrebird Lives will be released in 2022. Vikki’s other publications include Tomorrow Girl, Little Puggle’s Song, The Lost Moustache and Ella & Mrs Gooseberry.
“I enrolled in Writing Children’s Novels and became a much better writer for it,” Reece told us. “I took everything I’d learned and wrote a fourth manuscript, A Girl Called Corpse, and the rest is history!”
A few years ago, Michelle Upton made the life-changing decision that she wanted to be a writer. So she focused her efforts on learning about the craft and getting as much practical experience as possible. This included entering literary competitions, enrolling in the Romance Writing course at the Australian Writers’ Centre and taking part in the Centre’s Furious Fiction competition.
For veterinary nurse Madeline Te Whiu, her writing dreams started with a simple scene. As an avid reader, she thought she’d give writing a go by sketching out a few scenes for her own story. She wasn’t quite sure what to do next, but committed to writing 4000 words a week.
“After that, I really threw myself into writing. I was very strict with myself to try and reach my word count every week; I spent many of my days off at my local library in an attempt to keep myself distraction-free.”
Karina May was working in digital marketing when she started dabbling in creative writing just for the fun of it – but she soon found herself hooked on the craft of storytelling. She voraciously attended courses at the Australian Writers’ Centre, including two rounds of Write Your Novel with Pamela Freeman, which gave her the structure to complete her first manuscript. After signing a two-book deal with Pan MacMillan, Karina has now released her novel Duck à l’Orange for Breakfast.
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